‘Fear and Loathing in American Suburbia’ has long been the topic of Eric Fischl’s figurative painting practice. Once considered the wellspring of the American Dream, the nation’s suburbs have provided Fischl with a stream of psychologically charged material of dysfunction and despair. Skarstedt is currently showing a series of new paintings by Fischl that painfully hold a mirror to what ails America. All set around a swimming pool, the quintessential gateway into middle class, Fischl claws at the veneer of decorum, respectability and success to expose a society saturated with consumer goods but devoid of humanity. In “Late America”, a boy draped in an American flag regards a despairing nude white male while immigrant gardeners dispassionately go about their business. A bleak analogy for the present and a decidedly pessimistic outlook for the next generation. At Skarstedt through June 24.